7/1/16

Night Terrors

"Nothing's gonna harm you, not while I'm around..."

Last night, I spent four and a half hours walking around downtown, from around 10:30pm to 3:15am.  I saw groups of guys walking around, riding skateboards, screaming, and at one point I even thought they were yelling at me.  The cops picked some of them up, and I was afraid they would pick me up, too.

After all, I had been aimlessly walking for hours.


I almost wanted something to shake me out of my funk.  I wanted my heart to beat hard, adrenaline to pump my veins, tears threaten to spill down my cheeks...  I wanted to run.  I wanted to cry.  I wanted to stand on the top of a building and scream triumph out to the world.

Am I selfish?  Maybe.

"Nothing's gonna harm you, no sir, not while I'm around..."

Despite all the assurances in my life, despite every person around me telling me over and over that I'm worth it, I'm loved––why is it never enough?

Why can't I believe those words?  Because maybe, maybe I hear them whispered in the dark, in tunnels, spoken through lying lips by people who want to trap me.  Maybe I'm like Toby*, giving love out to people and promising to protect them, hoping I'll get the same in return––when in reality, someone is just waiting to kill me.

No, no, no.  It isn't true.  It isn't true.  The girl sits in the bathtub, trying to breathe, trying not to drown.  It's okay, it's okay, she whispers.  Let it go, she tells her trembling fingers as they refuse to obey her.

What is it like, living this strange nightlife?  What is it like, living with the knowledge that people come into your life and then drop you when they discover more interesting things?  What is it like, knowing you have f*cked several friends up alongside yourself, and for that you won't ever be forgiven?

The mirror is hazy.  She washes her hands frantically, trying to calm herself down.  She hears her friends out in the living room, laughing, talking, having fun.  Relax, she whispers.  It's okay.  But it's not.  She knows it's not because there are tears on her cheeks.  It's 1:30am, and there's no one she can call to talk to.  Shaking, she wipes her face and leaves the bathroom. 

I'll tell you what it is like.  It's going for a five hour walk in the dark hours of the morning in the middle of downtown.  It's leaning up against a building at 3:00am, trying not to fall asleep, but not wanting to go home and be alone.

It's watching cars slow down when they see you, and wondering if you should run, or stay where you are and take your chances.  It's loving the beat of your heart against your chest when you're scared because that means you're alive.

It's wanting to scream.  It's wanting to write words with blood.  It's wanting to create something out of pain.  It's wanting to give love, and receive love in return.  And not just receive it, but feel worth receiving that love.

It's wanting to lose all the guilt you carry inside your chest like a suffocating weight that punishes you any time you start to feel happy.


It's 2:30am.  A cop car slowly circles the block.  The girl stays where she is, leaning up against a brick building.  If the car picks her up, what can they do?  She isn't breaking any laws.  She is tired, but her mind is alive, alive, alive.


Artists are cursed, I guess.  They are the dreamers.  The plagued.  The gifted.  The shunned.

But with our demons, we create art, do we not?  For dusk belongs to the creatures of the night, and an artist is such a creature.

-An Artist


**Toby from Sweeney Todd: The Demon Barber of Fleet Street.  
     What can I say?  I'm a BFA Major.

12/2/15

Scotland, Theatre, and Other News!

So, my lovelies, I have been absent for a while.  But a lot has been happening.

First of all, The Fringe Festival in Edinburgh, Scotland: the biggest fine arts festival in the world.  Hardin-Simmons University Theatre Department (my school) is taking a play to perform in August, entitled "The Shadow Box".  Beautiful, beautiful show.  And I am honored to say I have been cast.

So, Scotland.  This is a chance in a lifetime to go to one of the places I have longed to visit, and perform theatre, nonetheless!

However.  Funds are pretty low, and cost is pretty high.  There is a neat little gadget on the sidebar that will allow people to donate to my GoFundMe.  If you don't want to donate [that's totally fine] consider telling other people, or people who have a love of theatre and/or travel.  Every dollar helps.  Sharing helps get the word out.


Here is the link straight to the webpage for my GoFundMe:
https://www.gofundme.com/ReaganDyer


Also, I'm on the HSU Webpage [shown below] where you can also donate if you would rather: http://fund.hsutx.edu/site/TR/Events/General/705957980?pg=team&fr_id=1231&team_id=1354



Reagan Dyer is a junior BFA Acting candidate, Honors minor from Evant, Texas and works in the HSU Theatre Scene Shop. She recently was seen in Check Please and was the assistant stage manager and lighting designer of the HSU production of Trevor. She has been seen in the HSU production of Hay Fever, The Prophet Darla, A Midsummer Night’s Dream, DirectFest 2014, DirectFest 2015, Sweeney Todd and Sense and Sensibility. She was the  light board operator and assistant stage manager for Abilene Live Theatre’s first summer season in 2015. She is the Chaplain of Alpha Psi Omega Honorary Dramatic Fraternity.


Scotland, Theatre, and Other News!

So, my lovelies, I have been absent for a while.  But a lot has been happening.

First of all, The Fringe Festival in Edinburgh, Scotland: the biggest fine arts festival in the world.  Hardin-Simmons University Theatre Department (my school) is taking a play to perform in August, entitled "The Shadow Box".  Beautiful, beautiful show.  And I am honored to say I have been cast.

So, Scotland.  This is a chance in a lifetime to go to one of the places I have longed to visit, and perform theatre, nonetheless!

However.  Funds are pretty low, and cost is pretty high.  There is a neat little gadget on the sidebar that will allow people to donate to my GoFundMe.  If you don't want to donate [that's totally fine] consider telling other people, or people who have a love of theatre and/or travel.  Every dollar helps.  Sharing helps get the word out.


Here is the link straight to the webpage for my GoFundMe:
https://www.gofundme.com/ReaganDyer


Also, I'm on the HSU Webpage [shown below] where you can also donate if you would rather: http://fund.hsutx.edu/site/TR/Events/General/705957980?pg=team&fr_id=1231&team_id=1354



Reagan Dyer is a junior BFA Acting candidate, Honors minor from Evant, Texas and works in the HSU Theatre Scene Shop. She recently was seen in Check Please and was the assistant stage manager and lighting designer of the HSU production of Trevor. She has been seen in the HSU production of Hay Fever, The Prophet Darla, A Midsummer Night’s Dream, DirectFest 2014, DirectFest 2015, Sweeney Todd and Sense and Sensibility. She was the  light board operator and assistant stage manager for Abilene Live Theatre’s first summer season in 2015. She is the Chaplain of Alpha Psi Omega Honorary Dramatic Fraternity.

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10/21/15

broken



broken things, broken bones,
broken lies of hearts beating
the blues, a rhythm, a tattoo
of red ink-stained skin. a cry
of the tongue, the twisted tongue
that is molded by society
to speak things, anything, clean things,
brave things, beautiful things.
 not broken things. not macabre things.
no red ink pooling from
a rip in the medium. no salty,
bitter tears that squeeze
through the eyelids. the eyes that have
witnessed brokenness. we gather the
broken bits of our shattered lives
around us like a blanket, a wall,
between us and them,
a lie in the face of condemnation.
 shivering, i bare my soul in
the face of darkness, that constant,
harmful companion: the one who
knows my name, the taste of it
upon the lips, the shape of the
words as they leave the tongue,
a tongue not twisted and broken like mine,
but silver and fair and beautiful
and horrible. not broken.
lies like no other
spin from fair darkness, and i
greet them like an old friend.
the dark knows my name.
when it calls, i lift my head, sucking
in wretched, dirty air to fill
my aching lungs. a ragged breath that
is beautiful in its desperation. my
heart is a live thing in my chest, a reminder,
a beating pain that screams
breathe breathe breathe.
feeling the dread climb up my
spine like death is already upon me,
i look toward the friend, not quite
daring to meet its eyes.
then turn away. to life.
i suck in raw air, my knuckles scraping
the side of my jaw as if to
remind myself by the pain that
i am alive.
ashamed.

broken.


8/24/15

The Night Circus

The Circus left that night.
In the darkness—out of all the countless tents that morning—only the Big Top remained, its red and white stripes showing gray in the dim moonlight.  It was drained of color.  Clouds scudded across the sky, casting strangely shaped shadows along the ground—curving and rippling, seeming to rise up from the grass to grope the surroundings. 
Everything had been packed up—vendor’s booths, animal tents, performer’s tents, wagons, trollies—disappearing under the fabric of the big tent.  It was almost like magic.
Nothing breathed that night.  It was quiet; the type of quiet that makes shivers crawl along your skin, or perhaps the kind of quiet that suffocates you.  That is to say, it was not a good quiet.
In the thickness of the dark, unseen by any, a huge cloud left its track in the sky and descended toward the open field where the tent stood, alone.  It came closer and closer, billowing and getting bigger and thicker before finally settling right above the Big Top.  It hung there from an invisible string, the unseen puppeteer using a master’s touch.  Then it enveloped the tent, coming down to the ground and wrapping around it until the tent could no longer be distinguished in the thick whiteness.
Slowly, carefully, the cloud rose back up, higher and higher, carrying the tent within it.  Farther into the sky it flew, until one couldn’t separate it from the other clouds.
The night sky hadn’t changed.  It was the same as ever.  Clouds puffed and evolved into odd configurations; a dragon, an ice cream cone, a trolley flitting across the pockmarked face of the moon.
And one looked rather like a very large Circus tent.
The Circus had gone.



8/10/15

Longing: noun, "a yearning desire"



My heart longs to be free from this life.
To become a wild thing again.
My heart longs to shut out the hurt,
And learn to dance in the rain.

My lips ache to be kissed just once.
They ache to openly speak.
My lips ache reject the pain,
That is keeping my body weak.

My soul burns to climb the mountains,
To feel the eagle soar.
My soul burns to soak in the wildness
From now to evermore.

My fingers yearn to touch the strings,
To coax the music forth.
My fingers yearn to pluck the lyric
And paint each changing chord.

My veins cry a siren's song.
The beating blood within
Turned a bleeding canvas,
This corruption they call a sin.

My heart longs to be free, my friend.
My lips to seal your kiss.
My soul aches to fly away, my friend.
Fingers upon veins in my wrist.

8/6/15

The 777 Challenge: An excerpt from The Nameless Novel

So, I was tagged by the phenomenal Samantha Chaffin for the 777 challenge [check out her writing, now.]  The 777 challenge works like this: you post 7 lines that are found on page 7 of your current novel-in-progress, and then you tag 7 bloggers.

Well.  I break rules.  So I'm posting seven lines found on page seven of chapter TWO in my novel, instead of chapter one.  Because I do things like that.

So this is an excerpt from The Nameless Novel [as I like to call it] because it has no name.  Yet.

Usually, I start out with a name for a novel before I even start writing.  I work from the name up [i.e., The Lightcatcher].  A name ferments in my head, going round and round, before finally demanding that I tell its story.

So this novel has really been frustrating for me because I cannot think of a name.  I just know that a story started forming under my fingertips, nameless, and I had to capture it.


It has the same feel as The Lightcatcher, which is to say it has ocean and wind and sky [because deep in my heart, I long to live in a place like that].  But there are no sentinel balloons or islands or redheaded boys who are strangely enticing.

Instead, there are horses.  And a boy.  And a beach girl with long tangled hair.